As the son of Spirit and Rain from Spirit: Stallion of the Cimarron, she names the horse "Spirit" after his father, and Lucky immediately begins to bond with him. (in their feature directorial debuts), from a screenplay written by Aury Wallington and Kristin Hahn, making this the second theatrical film release of the Spirit franchise and is both a spin-off and a stand-alone sequel of the traditionally animated Spirit: Stallion of the Cimarron (2002) and loosely based on the characters from its Netflix animated spin-off television series Spirit Riding Free, developed by Wallington.įeaturing the voices of Isabela Merced, Jake Gyllenhaal, Marsai Martin, Mckenna Grace, Julianne Moore, Walton Goggins, and Andre Braugher, the film follows a young girl named Fortuna "Lucky" Prescott who moves to the small rural community of Miradero, where she meets the titular wild kiger mustang. The film was directed by Elaine Bogan and co-directed by Ennio Torresan Jr. ![]() Although flawed with a hopelessly off-the-wall story and visual jokes that fall flat, there are still enough unique elements to warrant a viewing for the curious.Spirit Untamed is a 2021 American animated adventure film produced by DreamWorks Animation and distributed by Universal Pictures. Weirdly enough, the film also addresses making love to a 200 year-old woman, being stalked by a possessed bus, and several questionable moral dilemmas. Spectral forces appear in the shower, erotically converge with the living, and mischievously deprive people of clothing. Written and directed by Neil Jordan of “The Crying Game” and “Michael Collins” fame, “High Spirits” possesses expectedly unconventional material, such as bizarre sexual conversations and lustful fixations, despite a family-friendly, comedy plotline. The film rushes straight into the plot, wasting no time on character development prior to arriving at the manor and experiencing unearthly interference. There is, however, one truly clever sequence in which a cardboard-like, two-dimensional stage show crosses over into the viewers’ world (where an enormous, rubbery whale tail flops onto dining tables). ![]() Quite conveniently, wraiths turn fleshly on Halloween night. Additionally, the central love story between a downtrodden human and a frisky ghost bride creates boundaries that must be instantaneously resolved via nonsensical, contrived methods. Unfortunately, few moments are laugh-out-loud funny and most of the characters are so peculiar that they’re not relatable. It’s the perfect stage for a light-hearted phantom inhabitance, with energetic theme music reminiscent of Disneyland’s Haunted Mansion, though tinged with more unusual occurrences. ![]() The castle itself is a cinematic location, full of cobwebs, dust, and raggedy curtains, and primed for grandly destructive stunts, including a spinning bed lurching wildly out of control down staircases and a woman swinging about on a rope who is accidentally launched through a window onto unsuspecting spectators. If that wasn’t enough, the castle is actually haunted, with the ghost of the long deceased Mary Plunkett (Daryl Hannah) continually being chased across the grounds by her murderous husband Martin (Liam Neeson). To complicate matters, Sharon is the daughter of the man who holds the mortgage on the property, and is supposed to ensure the tourist attraction fails. Peter, assuming the role of host and showman, along with his unprepared crew, has planned numerous cheap ploys to attempt to scare the visitors, but none of them seem to work – largely because they’re so haphazardly and tattily derived. ![]() Sopping wet but still prepared for a vacation, Miranda (Jennifer Tilly), priest-in-training Brother Tony (Peter Gallagher), and parapsychologist Malcolm (Martin Ferrero) from Duke University, with his wife (Connie Booth) and three children, settle in for the night. The bus bringing the first wave of clients is startled by an employee posing as a banshee, who clumsily lands on the luggage rack of the speeding vehicle, causing the driver to careen it into the nearby lake in a panic. With the help of his staff, the manse quickly becomes a theme park of sorts, where Jack Crawford (Steve Guttenberg) and his wife Sharon (Beverly D’Angelo) journey for an amusing getaway. Plunkett’s elderly mother’s ranting gives him the idea to turn the aging estate into a tourist attraction – as the most haunted hotel on the Emerald Isle. Uicidal Irishman Peter Plunkett (Peter O’Toole) can’t raise the money to make a payment on his family’s massive castle, which will be foreclosed on in three weeks by merciless bank representative Mr.
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